الجمعة، 12 أغسطس 2011

Ancient Egyptian Symbols



Amenta
This symbol represents the Underworld or Land of the Dead. Originally it meant the horizon of the sun set. Later, it became the symbol of the west bank of the Nile, where the sun set and also where the Egyptians traditionally buried their dead.



Akhet
This symbol represents the horizon from which the sun emerged and disappeared. The horizon thus embodied the idea of both sunrise and sunset. It is similar to the two peaks of the Djew or mountain symbol with solar disk in the center. Both the beginning and the end of each day was guarded by Aker, a double lion god. In the New Kingdom, Harmakhet ("Horus in the Horizon") became the god of the rising and setting sun. He was pictured as a falcon, or as a sphinx with the body of a lion. The Great Sphinx of Giza is an example of "Horus in the Horizon".



Ankh
Symbol of eternal life. The gods are often seen holding an ankh to someone's lips this is considered to be an offering of "The Breath of Life". The breath you will need in the afterlife.



Ba
The Ba is what we might call someones personality. It would leave the body at the time of death. During the days the Ba would make itself useful, at night it would return to the tomb. At this time, it would look for the person to which it belonged. This would be the mummy, however, often the egyptians would supply the Ba with a statue in the likeness of the deceased in case the mummy was lost or damaged.



Canopic Jars
During mummification the internal organs were removed and placed in four containers. These containers often have human or animal-headed stoppers. The word, canopic, comes from the Greek name of the local god of Canopus in the Nile delta, who was represented as a human-headed pot. Canopic jars can be made of limestone, alabaster, wood, pottery, or even cartonnage.

The heads of the canopic jar represented the Four Sons of Horus
From left to right they are;
Imsety: The human headed guardian of the liver

Qebekh-sennuef: The falcon headed guardian of the intestines.

Hapy: The baboon headed guardian of the lungs

Duamutef: The jackal or wild dog headed guardian of the stomach.



Cartouche - Shenu
More commonly know as a cartouche. The shape represents a loop of rope in which a name is written. A protector of that name.


Crowns


Hedjet
The White Crown. This was the crown of Upper Egypt (southern).


Pshent
The Double Crown, the red crown and the white crown put together to represent a unified Egypt. Although Egypt was not always a unified nation it was stronger that way.Therefore unification was desirable. Narmer (Menes), the founder of the First Dynasty around 3100 B.C., was the first man recorded wearing this crown.


Atef
The atef crown was worn by Osiris. It is made up of the white crown of Upper Egypt and the red feathers are representative of Busiris, Osiris's cult center in the Delta.


Khepresh
The blue crown was a ceremonial crown often worn in battle.



Deshret
The Red Crown. This was the crown that represented Lower Egypt (northern).



Djew
Which means mountain, the symbol suggests two peaks with the Nile valley in the middle. The Egyptians believed that there was a cosmic mountain range that held up the heavens. This mountain range had two peaks, the western peak was called Manu, while the eastern peak was called Bakhu. It was on these peaks that heaven rested. Each peak of this mountain chain was guarded by a lion deity, who's job it was to protect the sun as it rose and set. The mountain was also a symbol of the tomb and the afterlife, probably because most Egyptian tombs were located in the mountainous land bordering the Nile valley. In some texts we find Anubis, the gaurdian of the tomb being referred to as "He who is upon his mountain." Sometimes we find Hathor takeing on the attributes of a deity of the afterlife, at this time she is called "Mistress of the Necropolis." She is rendered as the head of a cow protruding from a mountainside.



Fetish
An animal skin hanging from a stick, this is a symbol of Osiris and Anubis.



Flail and Crook
A symbol of royalty, majesty and dominion.



Hill - Primordial Hill
The Egyptians believed that during creation this hill rose out of the sea of chaos to create dry land. The idea of this hill rising had a profound effect on the egyptians, being used as every thing from temple layouts to the possible inspiration behind the pyramids.



Ka
The ka is usually translated as "soul" or "spirit" The ka came into existence when an individual was born. It was believed that the ram-headed god Khnum crafted the ka on his potter's wheel at a persons birth. It was thought that when someone died they "met their ka". A persons ka would live on after their body had died. Some tombs included model houses as the ka needed a place to live. Offerings of food and drink would be left at the tomb entrance so the ka could eat and drink.



Khet
This symbol represents a lamp or brazier on a stand from which a flame emerges. Fire was embodied in the sun and in its symbol the uraeus which spit fire. Fire also plays a part in the Egyptian concept of the underworld. There is one terrifying aspect of the underworld which is similar to the christians concept of hell. Most egyptians would like to avoid this place with its fiery lakes and rivers that are inhabited by fire demons.



Leb
This symbol represents a heart. The Egyptian believed the heart was the center of all consciousness, even the center of life itself. When someone died it was said that their "heart has departed." It was the only organ that was not removed from the body during mummification. In the Book of the dead, it was the heart that was weighed against the feather of Maat to see if an individual was worthy of joining Osiris in the afterlife.


Maat


Maat's Feather
Represents truth, justice, morality and balance. It was pharaoh's job to uphold Maat. When a pharaoh died, Maat was lost and the world was flung into chaos, only the coronation of a new pharaoh could restore Maat.


Maat
Represents truth, justice, morality and balance. Deities are often seen standing on this symbol, as if standing on a foundation of Maat.



Menat
This symbol represents a heavy beaded necklace with a crescent shaped front and a counter piece at the rear. It was a symbol associated with the goddess Hathor and her son, Ihy. In fact , Hathor was known as the "Great Menat". We often see Hathor using the Menat as a conduit through which she passes her power. It was representative of the ideas of joy, life, potency, fertility, birth, and rebirth. It was not uncommon in the New Kingdom, to see the king offering the Menat to Hathor. This probably meant to represent the king symbolically with the goddess' son, Ihy. This idea of divine assimilation was common, although the best examples are of the king representing the falcon god, Horus.



Naos
Shrine in which divine statues were kept, especially in temple sanctuaries. A small wooden naos was normally placed inside a monolithic one in hard stone; the latter are typical of the Late Period, and sometimes elaborately decorated. Also used as a term for temple sanctuary.



Nebu
This symbol represents gold which was considered a divine metal, it was thought to be the flesh of the gods. Its polished surface was related to the brilliance of the sun. Gold was important to the afterlife as it represents aspects of immortality. By the New Kingdom, the royal burial chamber was called the "House of Gold."



Nekhbet
A goddess portrayed as a vulture. Protrectress of Upper Egypt.



Nemes
A striped headcloth worn by Pharaohs.



Palm Branch
The Egyptians would put a notch in a palm branch to mark the passing of a year in the life of a pharaoh. It symbolized the 'measure of time.'



Pet
This symbol depicts the sky as a ceiling which drops at the ends, the same way the real sky seems to reach for the horizon. This sign was often used in architectural motifs; the top of walls, and door frames. It symbolizes the heavens.



Ra - Re
The sun was the primary element of life in ancient Egypt, we find this importance reflected in the art and religion. Some of the most popular gods had a solar connection. The sun was first worshipped as Horus, then as Ra and later as Amun-Ra There are many other representations of the sun, including Khepri, the great scarab who symbolizes morning and the ram-headed god Khnum representing evening. During the reign of Akhenaten, the sun was worshipped as the Aten. A form of the sun disk with its rays depicted as arms holding ankh signs. Another common form that the sun takes is that of Horus Behudety, the winged sun disk flanked by uraeus.


Rekhyt


This bird is called the Lapwing, it is identified by its head crest, It's wings are pined back preventing it from flying. This symbol signifies a group of people. It is often seen below the feet of a ruler to signify that the people are subjects of that ruler.

In the New Kingdom, the symbol develops human arms which are held in the act of giving praise. In this form it can be interpreted to mean "a group of people giving praise."



Sa
This symbol means protection. Its origins are uncertain, but it is speculated that it represents either a rolled up herdsman's shelter or a papyrus life-preserver used by ancient egyptian boaters. Either way it is clearly a symbol of protection. From early times the sa plays an important part in jewelry design. It is often used in conjunction with symbols, particularly the ankh, was and djed signs. We often find Taurt, the hippopotamus goddess of childbirth, resting her paw on a standing sa sign.



Scarab
Called the dung beetle because of its practice of rolling a ball of dung across the ground. The Egyptians observed this behavior and equated it with the ball of the sun being rolled across the sky. They confused this balled food source with the egg sack that the female dung beetle laid and buried in the sand. When the eggs hatched the dung beetles would seem to appear from nowhere, making it a symbol of spontaneous creation. In this role it was associated with the sunrise. Khepri was the scarab headed god.



Sekhem
This is a symbol of authority.


Sema


This is a rendering of the lungs attached to the windpipe. As a hieroglyph this symbol represents the unification of Upper and Lower Egypt. Other symbols are often added to further illustrate unification.


Sema bound with two plants, the papyrus and the lotus. The papyrus represents Lower Egypt and the lotus represents Upper Egypt.


In other representations we find two gods binding the Sema together using papyrus and lotus.



Sesen
A Lotus Flower. This is a symbol of the sun, of creation and rebirth. Because at night the flower closes and sinks underwater, at dawn it rises and opens again. According to one creation myth it was a giant lotus which first rose out of the watery chaos at the beginning of time. From this giant lotus the sun itself rose on the first day. A symbol of Upper Egypt



She

A pool of water. The Egyptians portrayed bodies of water by means of equally spaced vertical wave lines. When these lines are inclosed by a rectangle it denotes a lake or pool. The Egyptians believed water was the primeval matter from which aII creation began. Life in Egypt's desert climate depended on water, and a pool of water would be a great luxury. There are many tomb paintings that show the deceased drinking from a pool in the afterlife.



Shen
A loop of rope that has no beginning and no end, it symbolized eternity. The sun disk is often depicted in the center of it. The shen also seems to be a symbol of protection. It is often seen being clutched by deities in bird form, Horus the falcon, Mut the vulture. Hovering over Pharaohs head with their wings outstretched in a gesture of protection. The word shen comes from the word "shenu" which means "encircle," and in its elongated form became the cartouche which surrounded the king's name.



Sistrum

The sistrum was a sacred percussion instrument used in the cult of Hathor. The sistrum consisted of a wooden or metal frame fitted with loose strips of metal and disks which jingled when moved. This noise was thought to attract the attention of the gods. There are two types of sistrum, an iba, was shaped in a simple loop, like a closed horse-shoe with loose cross bars of metal above a Hathor head and a long handle. The seseshet had the shape of a naos temple above a Hathor head, with ornamental loops on the sides. The rattle was inside the box of the naos. They were usually carried by women of high rank.



Tiet
The exact origin of this symbol is unknown. In many respects it resembles an ankh except that its arms curve down. Its meaning is also reminiscent of the ankh, it is often translated to mean welfare or life. As early as the Third Dynasty we find the tiet being used as decoration when it appears with both the ankh and the djed column, and later with the was scepter. The tiet is associated with Isis and is often called "the knot of Isis" or "the blood of Isis." It seems to be called "the knot of Isis" because it resembles a knot used to secure the garments that the gods wore. The meaning of "the blood of Isis" is more obscured but it was often used as a funerary amulet made of a red stone or glass. In the Late Period the sign was associated with the goddesses Nephthys, Hathor, and Nut as well as with Isis. In all these cases it seems to represent the ideas of resurrection and eternal life.



Uraeus
The cobra is an emblem of Lower Egypt. It is associated with the king, and kingdom of Lower Egypt. It is also associated with the sun and with many deities. The cobra represented the "fiery eye of Re", in which two uraei can be seen on either side of a winged solar disk. Starting in Middle Kingdom The uraeus appears as a symbol worn on the crown or headdress of royalty. It is used as a protective symbol, the Egyptians believed that the cobra would spit fire at any approaching enemies.



Ushabtis
Literally translated it means "to answer." It is a small mummiform figure placed in tombs to do work in the afterlife on behalf of the deceased. In some tombs of the late New Kingdom whole gangs of ushabti workers were included with different tools for doing different work. A complete collection would consist of 401 Ushabti: one for each day of the year, 365 plus 36 foreman.



Was
This is a symbol of power and dominion. The Was scepter is carried by deities as a sign of their power. It is also seen being carried by kings and later by people of lesser stature in mortuary scenes.



Winged Solar Disk
This is a form that the god Horus Behudety (Horus of Edfu) takes in his battles with Seth. The god Thoth used his magic to turn Horus into a sun-disk with splendid outstretched wings. The goddesses Nekhbet and Uazet in the form of uraeus snakes joined him at his side.



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الثلاثاء، 9 أغسطس 2011

Horus, the God of Kings

by Jimmy Dunn

Horus falcon mask of Gold for a mummified Falcon, discovered at Nekhen

From the very earliest of times, the falcon seems to have been worshipped in Egypt as representative of the greatest cosmic powers. Many falcon gods existed throughout Egypt, though over time, a good number of these assimilated to Horus, the most important of the avian deities. Yet, from all his of many forms, it is nearly impossible to distinguish the "true" Horus. Horus is mostly a general term for a great number of falcon deities.

Horus is one of ancient Egypt's best known gods, as well as one of its oldest. His name is attested to from at least the beginning of the Dynastic Period, and depictions of falcon deities on earlier artifacts, such as the Narmer Palette, probably represent this same god. The Turin Canon, which provides some of our most important information on Egypt's early history, specifically describes the Predynastic rulers of Egypt as "Followers of Horus".

The use of his name was also widespread in personal names throughout Egyptian history, and Hor, as a personal name, survives into our modern era in a number of different forms.

Forms of Horus


A bronze group with, on the left, the Child Horus wearing the Atef Crown, while on the right, Horus as king, wearing the Double Crown

Horus is a complicated deity, appearing in many different forms and his mythology is one of the most extensive of all Egyptian deities. Indeed, he has so many different aspects that we must limit our discussion to those that are significant. At the same time, a judicious examination of the various Horuses and the sources relating to them supports the possibility that the roles in question are closely interrelated, and so they may be understood as different aspects of the same divine persona.

The original form of Horus was probably that of a sky god, known as "lord of the sky". The Egyptian word " her" (hor, har), from which the god's name is derived means "the one on high", or "the distant one", probably in reference to the soaring flight of the hunting falcon, if not a reference to the solar aspect of the god. Mythologically, the god was imagined as a celestial falcon, whose right eye was the sun and left eye the moon. The speckled feathers of his breast were probably considered to be the stars, while his wings were the sky that created the wind. In this form, Horus was apparently worshipped at some of Egypt's earliest shrines such as at Nekhen (Heirakonpolis), where he was assimilated with a number of other local falcon gods. In this capacity, Horus was the patron of the Nekhen monarchy that grew into the historical pharaonic state and hence, the first known national god.

A natural outgrowth of his role as "lord of the sky" was his aspect as a sun god. An ivory comb of the 1st Dynasty king Den depicts a falcon in a boat riding on outstretched wings, suggesting the falcon traversing the sky as the sun god. The early Pyramid Texts specifically refer to him in solar terms as "god of the east", and he appears in at least three forms in this guise.

Re-Horakhty (right) and Osiris (left)

As Horakhty (Harakhty), or "Horus of the two horizons", Horus was the god of the rising and setting sun, but more particularly the god of the east and the sunrise. In the Pyramid Texts, the deceased king is said to be reborn in the eastern sky as Horakhty. Eventually, Horakhty became a part of the Heliopolis sun cult and was fused with its solar god as Re-Horakhty. As Behdety, or "he of [the] behdet", Horus was the hawk-winged sun disk which seems to incorporate the idea of the passage of the sun through the sky. As Hor-em-akhet (Harmachis) or "Horus in the horizon", Horus was visualized as a sun god in falcon or leonine form.

Horus was also seen and worshipped as the male child of Osiris and Isis (Har-pa-khered, literally "Horus the Child", from which the Greeks created the name of Harpokrates), though either this god was originally a separate deity with whom the ancient falcon god was fused, or the falcon deity was incorporated into the Osirian family in very different form, because here he is depicted as a divine human infant. Another reference to him as a child of Isis is as Harsiese who, in the Pyramid Texts, performs the vital "Opening of the Mouth" ceremony on the dead king.

The Horus name of a king, with the falcon of Horus surmounting a serekh

Horus was also directly linked with the kingship of Egypt in both his falcon aspect and as son of Isis. Both his sponsorship of the monarchy and, probably, his identification with the king were shown on early decorated monuments from Nekhen.

From the earliest Dynastic Period, the king's name was written in the rectangular device known as the serekh, which depicted a falcon perched on a stylized palace facade and which seems to indicate the king as mediator between the heavenly and earthly realms, if not the god manifest within the palace as the king himself. This was the "Horus name" of the king, who took other names in time, including a "Golden Horus" name in which a divine falcon is depicted upon the hieroglyphic sign for gold.

Many other forms of Horus also appear in one way or another. Horus the successor was also referred to as Iunmutef (Pillar of His Mother), which was used as a funerary priestly title. By the New Kingdom, the Great Sphinx of Giza, originally a representation of the 4th Dynasty King Khafre (or possibly Khufu), was interpreted by the Egyptians as an image of Hor-em-akhet (Harmakhis), or "Horus in the Horizon". In the person of the Sphinx and elsewhere, Horus was also identified in the New Kingdom with the Syrian Canaanite deity, Hauron, which some regard as contributing to the choice of the Arabic name for the Sphinx, "Father of Terror".

A Horus Eye pendant

Another of Horus is the Egyptian "Har-nedj-itef, or "Horus the savior of his father" (Greek Harendotes), which refers to the vindication of Horus' claim to succeed Osiris, rescuing his father's former earthly domain from the usurper Seth.

The Eye of Horus must also be mentioned. The injury inflicted by Seth on the eye of Horus is alluded to in the Pyramid Texts, where royal saliva is prescribed for its cure. The restored eye of Horus became the symbol for the state of soundness or perfection, known as the Udjat Eye. Used as an amulet, it became the symbol for protection and painted on the sides of rectangular coffins.

Furthermore, Horus was combined, synchronized and closely associated with deities other than the sun god Re, such as Min, Sopdu, Khonsu and Montu.

Mythology

The textual and mythological material related to Horus are very rich, comprising hymns, mortuary tests, ritual texts, dramatic/theological texts, stories and even the Old Coptic and Greek magical papyri.

Interestingly, the most complete ancient exposition of the Osiris narrative is Plutarch's De Iside et Osiride, in a Latin translation from the original Greek. Other accounts include the Memphite Theology or Shabaka Stone, the Mystery Play of the Succession, Coffin Texts Spell 148, the Great Osiris Hymn in the Louvre, the Late Egyptian Contendings of Horus and Seth, the Metternich Stela and other cippus texts, and the Ptolemaic Myth of Horus at Edfu, also known as the Triumph of Horus.

These texts take the reader, with variations and a number of contrasting perspectives, from the god's conception and birth, through his childhood hidden in the marshes (as Har-hery-wadj, or "Horus who is upon his papyrus plants"), his protection by Isis, his conflict with Seth and his followers, and his succession as legitimate king.

With the rise of the complete Horus-Osiris-Isis mythological complex, visible in the Pyramid Texts during the late Old Kingdom, the living king was identified as an earthly Horus and the dead king (his father or predecessor) as Osiris. As the son of Isis and Osiris, Horus was also the mythical heir to the kingship of Egypt, and many stories surrounding this struggle to gain and hold the kingship from the usurper Seth detail this aspect of the god's role. Harwer (Haroeris), or "Horus the Elder" was the mature god represented in these stories who battles Seth for 80 years until the tribunal of gods finally awards him his rightful place on the throne of all Egypt. Finally, as Har-Mau or Harsomptus (Horus the Uniter), Horus fulfills this role of uniting and ruling over Egypt, though he is sometimes identified as the son of Horus the Elder and Hathor in this role, for example, at Edfu and Kom Ombo, and called by the name Panebtawy "Lord of the Two Lands".

Scene from the side of a throne on the statue of Senusret I, uniting the two lands with Horus on the left and Seth of Ombo on the right

However, there was a vital relationship between Seth and Horus. Seth was the embodiment of disorder, and was predominantly seen as a rival of Horus. However, Seth was also portrayed in a balanced, complementary role to Horus, so that the pair represented a bipolar, balanced embodiment of kingship. Therefore, on the side of the throne, Horus and Seth, symmetrical and equal, tie the papyrus and lotus around the sema-sign.

Since about the turn of the twentieth century, Egyptologists have debated the issue of whether the struggle between Horus and Seth was primarily a historical event, or purely symbolic. This issue is complicated by the geographical polarities of the two gods' cult centers. While Horus was venerated throughout Egypt, his primary cult centers were in the south, while Seth's cult centers tended to be in the north, and perhaps particularly in the Delta. According to the Turin Canon, the late predynastic rulers of Egypt were "followers of Horus". By the time of the unification of Upper and Lower Egypt, the ruler was Horus. On the palette in the Cairo museum that shows King Narmer, considered a candidate for the first ruler of a unified Egypt, Horus is shown holding a rope that passes through the nose of the defeated northern rival. Hence, some Egyptologists believe that the source of the mythological conflict between Horus and Seth may have been the predynastic struggle to unite Upper and Lower Egypt

Horus and Seth Crowning Ramesses III

In fact, during the 2nd Dynasty, there seems to have once again been a Horus and Seth conflict, which was eventually resolved under King Khasekhemwy. While the nature of this conflict is not clear, it is reflected in the use of a Seth-name instead of the usual Horus-name by King Peribsen (Seth-Peribsen). There are indications of warfare during this period, culminating perhaps by Khasekhemwy, who combined Horus and Seth above the serekh containing his name.

Genealogy

The most common genealogy of Horus is as the son of Osiris and Isis, as the tenth member of the family tree of the Heliopolitan Ennead. However, one must remember that this god's worship spanned some three thousand years, during which time he was venerated throughout Egypt, as well as outside of Egypt. Therefore, the full picture of his genealogy is more complex. Hathor, herself sometimes identified with Isis, also appears as the mother of Horus.

Haroeris, or Horus the Elder, can appear in the Heliopolitan family tree as the brother of Osiris and the son of Geb and Nut. Osiris can also be equated with Haroeris, who in that scenario is the murdered victim of Seth. At Edfu, Horus appears as the consort of Hathor and the father of another form of himself, Harsomtus, or "Horus Uniter of the Two Lands". Horus and Seth are sometimes described as nephew and uncle, but at other times as brothers.

At Nag'el Madamud, just north of Luxor, a temple was built in honor of the god Montu, his consort Raettawy, and their son Harpokrates, the child deity more often associated with Isis.

Horus protecting Khafre, one of the grandist artistic works of ancient Egypt

Iconography

The roles, local cult foundations and titles or epithets of Horus are sometimes correlated with distinct or preferred forms in iconography.

The form of Horus that we are perhaps most familiar with is as a full falcon, probably the lanner (Falco biarmicus) or peregrine (Falco peregrinus). This is the original avian form of Horus, typically shown in two dimensions as a profile except for the tail feathers which were turned towards the viewer according to the canons of Egyptian composite perspective. Early examples sometimes show the falcon leaning forward in a later position but the upright stance became standard in later times. Sometimes the falcon is shown in direct association with the Seth animal or one of his symbols, particularly in the Late period, as in the nome sign of the 16th Upper Egyptian nome where the falcon is depicted with its talons sunk into the back of an Oryx. Though Seth may have typically taken the form of a canine, the Oryx was an ancient symbol of that god.

As the hawk-winged Behdety, Horus became one of the most widespread images in Egyptian art, an image perhaps foreshadowed in the time of Den, and which became virtually ubiquitous as a motif used in the decoration of temple walls and stelae throughout Egypt. In this guise, he had the epithets "Great God, Lord of heaven, Dappled of Plumage".

Horus with the body of a crocodile

As Horakhty, he may appear as a falcon or sometimes even as a falcon-headed crocodile. Most often, Re-Horakhty has a sun disk on his head.

In the fully anthropomorphic form Horus appears as an adult god or more usually as a child, wearing the sidelock of youth, who is the son of Isis. Horus as a boy also appears dominating crocodiles, serpents and other noxious animals on cippi. Sometimes on cippi, the head of the child was often surmounted by a Bes-head, or perhaps a Bes mask.

A cippi with a Bes head above the Horus Child

Yet, it is in the combined zoo-anthropomorphic form of a falcon-headed man that the god most frequently appears, often wearing the Double Crown signifying his kingship over all Egypt.

In various forms, Horus often wore the Double Crown, as befitting his status as king of Egypt, the Atef, the triple atef and a disk with two plumes was also used.

One of the most famous kingship imagery related to Horus is found in the statue of Khafre, seated with the Horus falcon at the back of his head with the wings of the bird protectively wrapped around the king's neck.

Cult Worship

Frequently, we can identify a specific, strong cult center for an ancient Egyptian god, but because Horus was worshipped in many forms, and because he assimilated many other gods, it is difficult to summarize the sites associated with his worship. Clearly, he was associated with the area of Nekhen in southern Egypt (Greek Hierakonpolis or "City of the Hawk") from very early times. he was probably the falcon deity worshipped there since pre-dynastic times.

However, Horus was worshipped along with other deities at countless Egyptian temples and the important sites of his worship are known from one end of Egypt to the other, dating to the earliest of times to the latest periods of pre-Christian Egypt. In fact, he continued to be venerated in some Old Coptic (Christian), ritual-power or magical texts. In northern Egypt, the Horus god was particularly venerated in the Delta at the ancient site of Khem (Greek Letopolis, modern Ausim) since at least the beginning of the Old Kingdom. There, he was known as Horus Khenty-irty, or Khenty-khem, "Foremost One of Khem". Chapter 112 of the Book of the Dead tells how the Delta city of Pe (historical Buto) was given to Horus as compensation for his eye which was injured by Seth, which explains why this was such an important cult center for the god. Behdet also became a center of Horus worship in the Delta.

The famous Horus of Edfu at the Temple of Horus

In the south, Horus enjoyed the attention, together with his consort Hathor, and their son Harsomptus, in the important Ptolemaic temples at Edfu and also at Kom Ombo. At Edfu, the god's many ceremonies included the annual Coronation of the Sacred Falcon at the beginning of the 5th month of the Egyptian year in which an actual falcon was selected to represent the god as king of all Egypt, thus uniting the ancient falcon god with his form as Horus son of Osiris and with the king.

Even outside of ancient Egypt proper, south in Nubia, we find temples dedicated to various forms of Horus at Quban (Horus of Baki), Buhen and Aniba (Horus of Miam), as well as the inclusion of the god in many other monuments such as Abu Simbel and elsewhere.

As the object of popular veneration throughout Egypt, Horus was often represented by amulets depicting him either in the form of a falcon or as a falcon-headed man, in both cases often wearing the Double Crown of Egypt. His widespread worship is also seen in the many healing plaques, or cippi, which aimed to utilize his power. The cippi of Horus were a common manifestation of the importance of Horus in healing rituals and popular ritual practice.

The Survival of Horus

It should be mentioned that some Egyptologists see, in the iconography of Christian art, a precursor in Horus. For example, Isis and the baby Horus are sometimes seen as the model for Mary and the infant Jesus, while Horus dominating the beats may have a counterpart in Christ Pantokrator doing the same. Horus spearing a serpent may survive in the iconography of Saint George defeating the dragon.
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